Compliant: A Dystopian World That Is Not Too Far Or Dissimilar From Our Own
We are introduced to the year 2065 and in not so flattering words. The pun is hard to miss; the ...
We are introduced to the year 2065 and in not so flattering words. The pun is hard to miss; the ...
One can safely theorize that after a global trauma that has already lasted one and a half years—and is still ...
Elina Sahlin’s Department Of Detachment feels like many things at once. An ode to Yorgos Lanthimos’s work, a distinct reminiscence ...
Writer-director Damian Draven’s 12:22-minute long I Am An Island (IAAI) adds to the already long list of films on mental ...
Tim Hewitt’s Broken Shelter surprises. Despite its obviously amateur choice of camera, not only does the film have largely compelling ...
Writer-director Caroline Steinbeis's debut From A Strange Land is wildly entertaining and contains greater depth than is apparent. The plot ...
Nora Jaenicke's The Reading (co-written with Bobby Peretti) wastes no time in setting up its plot. Opening with an author ...
Too often, narratives about teens and preteens on film focus on heady adventures and larger-than-life experiences, inclined more towards escapist ...
One is left wondering after this 30-minute long film. Is Ba Ham a tale of friendship or love? Is it ...
Director-writer Hassan Raza’s 35:00-minute-long Zaara is many things at once. It’s a social drama, filmed with the distinct style of ...
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