Who We Were: Outgrowing Love While Enveloped In Emptiness
Who We Were combines the unique disenchantment of outgrowing people at a time when the feeling–and its cousins–have just occupied...
Who We Were combines the unique disenchantment of outgrowing people at a time when the feeling–and its cousins–have just occupied...
Ali Matlock’s Shadows Of The Dust beguiles its viewer until the very last moment as to its direction, resulting in...
Malakai Tyne Bisel’s Saternus just shies away from satirizing the dark world of cults. But centred around the members of...
Nikhail Asnani’s 10-minute horror Seed follows a witch’s mission to grow her olive tree. Set in broad daylight despite the...
Leo Bekmarmarchev’s 8-minute short, A Mother’s Touch is a psychological thriller that takes a darker turn. Speaking to a person...
Focusing on hate crimes committed against LGBTQ+ people, Jennifer Fearnley’s documentary A Wake Up Call, made for the Human Dignity...
Riley Lynch’s Hardcore Halbert (written by Craig Lief) brings together two discordant ideas that fall into place with ease. Halbert...
Christian Heiche’s Say Their Names is a documentary, a tribute with righteous anger, to victims of systemic racism manifesting through...
Joe Mitchell’s Bottom Of The Night is a 15-minute comedy featuring the director as a cop pulling a revenge prank...
Sheri Sussman’s Shutter the Doors is keenly poignant in a post-COVID world. A 14-minute proof-of-concept about the shutting down of...
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