Monster: Facing Two Monsters At Once
The pilot of Rahul Nath's Monster opens with a three-minute-long take, languidly establishing the character of one of its antagonists. ...
Tag: Review
Facades: An Experimental Short Dissecting Relationships
Writer-Director Gregory Alexander Foltynowicz’s Facades is a 9:50-minutes long analysis of one’s self. Done vicariously through the bonding of its ...
After The Sea: Processing Loss With Love
The first thing that strikes you about After The Sea are it's candy hues. What you notice next is that they ...
Thoughts and Prayers: The Uselessness Of Performative Empathy
Christopher Logan's Thoughts and Prayers critiques the performative empathy that floods social media during and after crises, especially by the ...
For the Benefit of Mr. Winston: Seeing People Anew
For the Benefit of Mr. Winston explores the artist's block and inspiration through the metaphor of an imagined muse. The ...
His Hands: Perfecting Disquietude
The opening music of His Hands belies its dark complexity. What begins as energetic experiences a tonal shift into tense ...
Windows To Nowhere: Observing Sorrow In Unsympathetic Characters
There is a steely coldness to Tamara Hansen's Windows To Nowhere that fits its towering protagonist, a grieving mother who ...
Fear, Actually: Humorously Unhinged New World
Fear, Actually gets at the fears of particularly, but not limited to, Americans in the age of Trump. Triggered by ...
Shutter: A Whodunnit With An Easy Answer
The obsessions of Charley, Shutter's anti-hero, is set forth in the opening moments of the film: beauty, perfection, flawlessness. A ...
Loneheart: An Origin Story Of The Homeless Man
Loneheart unfolds a tragic story, one without a conclusion. True to its silent central character, the film feels merely a ...
