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InterviewsDylan Powers on FROG JAM, Creative Instincts and Embracing the Weird
InterviewsDavid Cordon on Afterburn, Creative Restraint and Finding the Human Inside the Machine
InterviewsFinding a Voice Between Thrills and Laughter: Mark Móhn on Keep Out, Creative Growth, and Giving Short Films Their Spotlight
InterviewsAnimus and the Aesthetics of Anxiety: James Andrew Murray on AI, Animal Instincts, and the 6-Year DIY Grind
InterviewsBrandon Shypkowski On 29 Palms, Quiet Horror, And The Weight Of Unspoken Pain
InterviewsThe Art of Theatrical Intrusion: Derek Frey on Finding Catharsis in ‘The Current State of the Backyard Pool Industry’
InterviewsM&C Saatchi to Surrealism: How Sam Iwata Merges Commercial Rigor with the Psychological Abyss
InterviewsCrafting A ‘Dark Visual Lullaby’ On 35mm: Anjini Taneja Azhar On The Magical Realism Of ‘Who Are You, Nanu?’
InterviewsFraming The Future: Jada George On Visual Tension, Dystopian Narratives, And Reclaiming The Black Experience In Sci-Fi
InterviewsChoosing Yourself: How Hayden Mclean Turned ‘The Last Dance’ into an Act of Faith, Legacy and Global Resonance
InterviewsPain Is Temporary, Art Is Forever: Inside Matt Check’s Hand‑Crafted ‘Mammoth’ Universe
InterviewsFinding Power in the Awkward: Elliot Frances Flynn on ‘BABY FAT,’ Dark Humor, and Growing Up the Hard Way
InterviewsThe Courage To Be Seen: How eP Cho Turned Personal Vulnerability into an Award-Winning Film with ‘Before the Party’
InterviewsBe a Decent Person First: Whitney St Ours on the Art of Filmmaking Through Empathy
InterviewsThe Anti-Ethnographer: C. S. Nicholson on Colonial Narratives and the Power of the Stranger
InterviewsThe Gift of Anger: Chandler Clarke on Transforming Personal Demons into the Sci-Fi Power of ‘BZRK’
InterviewsFrom Cat Poop to Fish & Chips: Jonathan Hawes On Finding Dark Comedy in the Mundane
InterviewsDavid E. Teixeira: A Visionary Filmmaker’s Journey Through Horror and Beyond
Interviews