Watching writer-director Alex Bates’s Occupied is equivalent to having a slice of history lesson served with drama and philosophy; and...

A trademark feature of the pandemic is the sudden crop of video calls within the narrative as a storytelling tool....

The genre of horror-comedy boasts of two things: gore (the more the better) and laughs (the funnier is also the...

The music in its title sequence, and the framing of its opening shot serve as immediate evidence that the story...

We are introduced to the year 2065 and in not so flattering words. The pun is hard to miss; the...

Sofia El Khyari's Le Corps Poreux, or The Porous Body, takes an intimate look at the process of introspection and...

Today we are more than elated to share with you the details of the winners from Indie Shorts Mag Short...

We are approaching the final hours of our festival and that means it's time to announce the winners. But first,...

One can safely theorize that after a global trauma that has already lasted one and a half years—and is still...

Elina Sahlin’s Department Of Detachment feels like many things at once. An ode to Yorgos Lanthimos’s work, a distinct reminiscence...