One of the more remarkable aspects of Bonnie Ryan’s Real. Live. Girl. are the two intertwining worlds of neon-lit webcam shows and sombre, ever-slipping reality of Alzheimer’s. Starkly different, their blend is a tricky business and Ryan manages to accomplish it with dexterity. Rachel Nichols’ Jennifer is the link that connects these: she is a… Continue reading Real. Live. Girl.: On Alternating Between No One and Just The One
Category: Reviews
15 Minutes at 400 Degrees: A Kindly Comedy of Errors
502 people were laid off at a factory, including the employee of the month. One turned to vengeance – with DIY masks and packing tape. Chris McCaleb’s 15 Minutes at 400 Degrees sees an unemployed single father turned hapless robber try to avenge his firing a year ago by robbing his erstwhile supervisor. The resulting… Continue reading 15 Minutes at 400 Degrees: A Kindly Comedy of Errors
Singularity Stories Vol. I: Exploring A Possible Future Through Realistic Lenses
Directed, produced and written by Asa Derks, Singularity Stories Vol. 1 is an aesthetically pleasing take on a conscious A.I. algorithm that has awoken at a global level. The film begins with a simple demand by Colleen, played by Colleen Madden, for Bruno Mars’ music, which gets rejected by Alexa (voiced by Carey Cannon). As… Continue reading Singularity Stories Vol. I: Exploring A Possible Future Through Realistic Lenses
Dementia: Theorising Memory As A Form Of Love
Death, many would argue, is hardest on the people left behind. From that perspective, what is death if not absence? And if it is an absence that torments those left behind, death is no worse than dementia. It is perhaps worse, losing a person one piece at a time so that near the end, your… Continue reading Dementia: Theorising Memory As A Form Of Love
Blossom: Going The Murderous Mile for Love
The nightingale had, in its stroke of romantic inspiration, given up its own life to make way for someone else’s love. Oscar Wilde’s The Nightingale and The Rose finds a darker take on its tale of love, selfishness and sacrifice in Natacha Thomas’ 8-minute short, Blossom. While Wilde pondered on the fallacies of love, romanticism… Continue reading Blossom: Going The Murderous Mile for Love
We’re All Here: We Have All Seen This Before
Protagonist moves into new apartment/house/villa with a horrific past and is subsequently served up as dinner for body-snatching ghosts/demons/any number of variations on a malevolent supernatural entity. Writer-director Lucy Luna’s We’re All Here is a story we’ve all seen play out before. Christin Muuli as Anika Mills, a literature podcaster and the latest unsuspecting protagonist,… Continue reading We’re All Here: We Have All Seen This Before
Look!: The Loneliness Of Combating Loneliness With Self-Reliance
Look! asks you not just to look closely, but to look where there may not be much to look at. Look! asks you to see. Writer-director Adam Trad’s 5:55-minute short watches Evan (Jonathan Reason) ponder on his life, sitting on a park bench in Sightly Park (appropriately named for more than one reason). It is… Continue reading Look!: The Loneliness Of Combating Loneliness With Self-Reliance
Town Hall: Going The Unorthodox Extra Mile For The Greater Good
Town Hall. Casey Lock styles this story of townspeople affected by corporate greed like a courtroom drama. In a small town, the city councillor is retiring. A kindly man with a booming voice, Carl (Steve Herson) is being replaced by his colleague, Olivia (Robyn Coffin), a woman on the Vinci company’s trail with the certainty… Continue reading Town Hall: Going The Unorthodox Extra Mile For The Greater Good
Vengeance Runs Red: Classic Tale of Exacting Revenge
Violence in cinema means little in and of itself. Each significant act of violence on screen is built up with meaningful plot and characters so that when blood finally runs, it has the emotional impact that lasts for at least a while. Without that backing, it can feel feeble – or worse still, evoke no… Continue reading Vengeance Runs Red: Classic Tale of Exacting Revenge
Ayuda: Small Updates on The Classic Horror Film
Ayuda. Spanish for help. Patrick Mason’s Ayuda, a neat little horror film, circles around people’s urge to help, sometimes at personal cost. Touching upon immigration issues as well, Mason structures Ayuda to be a set of new features on a conventional story and its telling. David LaMorte and Caleb Vasquez co-star as Tomas and Leo,… Continue reading Ayuda: Small Updates on The Classic Horror Film