Skin: The Profundity of Transitioning, Distilled
The logline to Leo Behrens’s Skin describes it as a poetic self-exploration of identity. It does not mention the utter ...
The logline to Leo Behrens’s Skin describes it as a poetic self-exploration of identity. It does not mention the utter ...
Neil Sandhoefner’s Silent Sirens confounds, puzzles, comforts, and then, moves. For a film that does not actually have moving images, ...
Robbie J. Atkinson’s 1-minute Perspective: Nature attempts to trace the likeness of humankind in nature and vice-versa through a wordless ...
Sarah Klearman’s Backwards is an eccentric comedy with just a dash of romance, the narrative moving forward with the latter ...
Michael Richard Houghton’s The Burglary is a trip into the psychological realm of the mind. Confined within a cramped apartment, ...
Elijah’s Dance explores the consequences of the loss of home primarily through the lens of fear, going one step ahead ...
Rolfin Nyhus’s Hollow Pond, written by Adam Anson, narrates a tale that, for reasons, is rather common to far too many ...
It’s a lot to pack in an 8:30-minute long narrative. Philosophical, yet pragmatic; reflective, yet pointed, writer-director-editor Gregory Alexander Foltynowicz’s ...
The music in its title sequence, and the framing of its opening shot serve as immediate evidence that the story ...
No, before you presume, this is not about COVID-19. It has nothing to do with bats or any other creatures. ...
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