Picnic Under A Gibbet: Morbidly Funny, Scarily Familiar Epidemic Satire

If they had to argue, the two characters of Richard Corso’s satire, Picnic Under A Gibbet (adapted by Rebecca Gorman O’Neill from Gregory Ferbrache’s short story) would probably agree—though they prefer to be on opposite sides on most other subjects—that picnicking under an old, rotting corpse was just the cherry on top of a darkly amusing tale.… Continue reading Picnic Under A Gibbet: Morbidly Funny, Scarily Familiar Epidemic Satire

Noose: Death And Tragedy Lend Themselves Well To Comedy

The title makes it obvious. Someone is trying to die. Keyword being trying. Because Paul wants to die, and the world is not making it easy. Nick LaMarca’s 18-minute comedy-drama, Noose, takes a laid back approach to a heavy subject, and it works surprisingly well. The film opens boldly. There is the noose at eye-level, and there is Paul, played… Continue reading Noose: Death And Tragedy Lend Themselves Well To Comedy

Longest Day Of The Year: An Antidote To Emptiness

And they take a walk.” Thus ends Lauren Hoover’s pandemic comedy, Longest Day Of The Year. Simple though that statement is, it is heavy with significance, accumulated over a long 18 months when taking a walk was often impossible, or the most anyone was allowed to socialise. Longest Day Of The Year, a chipper 10-minute film, takes… Continue reading Longest Day Of The Year: An Antidote To Emptiness

Kingdom Animalia: The Melanie Fyfe Story: A Much-Needed Satire Reflecting On Contemporary Times

Kalainithan Kalaichelvan’s Kingdom Animalia: The Melanie Fyfe Story can be as easily misunderstood as cheered for. The film, a pure satirical story set in a fascinating world of humans and animals is a neither-here-nor-there fantasy, that is, however, a thorough visual treat. Appealing to the eye, but troubling to the soul, the film dissects the… Continue reading Kingdom Animalia: The Melanie Fyfe Story: A Much-Needed Satire Reflecting On Contemporary Times

Hell In A Handbasket: It Could Get Much Worse, Apparently

The pandemic has been a dumpster fire. And it keeps getting worse. Writer and director Lee Chambers gets straight to it. His 5-minute comedy, Hell In A Handbasket zooms straight to the people who could potentially make it better: scientists.  At the centre of the plot is Dale Borger (Robert Bryn Mann), a scientist deep in his… Continue reading Hell In A Handbasket: It Could Get Much Worse, Apparently

Livin After Midnight: A Hilarious Short That Promises A Laugh-Riot!

Joe Mitchell’s Livin After Midnight has only one problem—its minuscule time-length. Barely six minutes long, the film, a thorough tomfoolery-meets-idiocy is a strange combination of comedy and horror-thriller that lets you laugh all the way up until its climax. Frankly, this is generous coming from Mitchell whose Motorcycle Boy was a mere 2:30-minute in length.… Continue reading Livin After Midnight: A Hilarious Short That Promises A Laugh-Riot!

Life’s A Show: Large Egos About Nothing, A Pandemic Era Comedy

A trademark feature of the pandemic is the sudden crop of video calls within the narrative as a storytelling tool. Limited though it is (much like everything else), this relatively new territory does bring the opportunity to reimagine the way we tell stories, and even the very stories we tell. Harvey Puttock’s comedy, Life’s A Show dips… Continue reading Life’s A Show: Large Egos About Nothing, A Pandemic Era Comedy

Daytrip Massacre: The Fast Fun Of Horror Comedy

The genre of horror-comedy boasts of two things: gore (the more the better) and laughs (the funnier is also the gorier). With Artie Brennan and Anthony Giordano written and directed Daytrip Massacre, it is not much different, although the balance between stomach turning gore and side-splitting laughs is precarious, and played with, much and often.… Continue reading Daytrip Massacre: The Fast Fun Of Horror Comedy

Compliant: A Dystopian World That Is Not Too Far Or Dissimilar From Our Own

We are introduced to the year 2065 and in not so flattering words. The pun is hard to miss; the ambience harder. The wordings are well-chosen. The telling choice with the colour palette in hues of blue and white slowly egg us for a voyeuristic ride into the future. And, the next 09:22-minute long narrative… Continue reading Compliant: A Dystopian World That Is Not Too Far Or Dissimilar From Our Own

From A Strange Land: Skin Shriveling Awkwardness And All That Comes With It

Writer-director Caroline Steinbeis’s debut From A Strange Land is wildly entertaining and contains greater depth than is apparent. The plot looks fairly simple: a neighbour brings the new family next door a welcome present only to walk in on a situation no one was prepared for. Naked neighbours, or indecorous neighbours? Which is worse? This… Continue reading From A Strange Land: Skin Shriveling Awkwardness And All That Comes With It

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