Interview with Melissa Kent Director & Editor of Bernie & Rebecca

Films fall into two categories. They are either the kind that leave a lasting impression in your mind long after the curtain falls or they are the kind that doesn’t even form a passing glance in the eye of your mind. But, Melissa Kent’s forms a category by itself. It’s a film that compels you to long for it to be true. You’d wish with every scene unfolding of its that it didn’t remain confined to your viewing screen.

Bernie and Rebecca – Date of a Lifetime

Melissa Kent has brought the tempting gourmet of soulful romance to the aching palate of romantics out there. A seemingly ordinary date, between an average Bernie and a woman who comes from a not-so-average world. The first five minutes betrays the complex dialogue that ensues the initial awkward yet honest conversation between the two.

5 Short Films Sans Dialogues

Short films have a language of their own. Its not just their length in duration that sets them apart from the feature films, but also their budgeted craft, the incredible ability to clinch the storyline within thetruncated narration amongst others. As if these factors alone weren’t enough to make us fall in love with them, here are 5 short films that push the envelope further.

Becoming Lucy – Review

It takes much more than average quota of gumption to pick on a project let alone a character, of yesteryears that defined stardom in itself. Jared Elkin is clearly one such dauntless director to bring to the screen and back to life a woman whose name had grown synonymous to feminism, humour, TV and almost everything definable of the fifties.

Life On Mars – Review

Andie Isaacs needs to be truly extolled for penning down such an intense yet quirky screenplay that is so generously sprinkled with deadpan humor that it’ll poke you until your sides begin to hurt. ‘Life on Mars’, by Brandon Baer is a candid story of a certain David Mars who is struggling with writer’s block whilst also engaging to deal with the other impediments of his life.

Monday – Review

In less than 11 minutes, Alejandro Montoya Marin manages to punch in reality within a thriller, that is generously peppered with deadpan one-liners and characters, who are easily identifiable.

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