Playground: The View from the Left Behind Daughter
Playground constructs a duality of experience for its child protagonist in her relationship with her mother: frightening chaos on the ...
Playground constructs a duality of experience for its child protagonist in her relationship with her mother: frightening chaos on the ...
Andy Kastelic’s The Countryman has blossomed out of the Western, owes its distinction to the genre, and leaves behind the ...
Richard Lounello’s 28-minute sci-fi LifeQuest interweaves two narrative threads, one existing under the ambit of the other: a corporate invention ...
Ela Gavrila’s 16-minute Genre INC. is a sci-fi that explores constructed, corporate mediated personal realities. Co-written by Gavrila and Gabriel ...
Dealing with the disaffection of being an artist of any kind today, Julian Sibal’s Jake, the failure is a 9-minute ...
In The Spirit Became Flesh, a rural community responds to its gradual disintegration by erecting a new god to worship. ...
Pat Bradley’s Double Zero, a proof of concept thriller, is brimming with uncertainty. A story about two criminals, the job ...
Opening with a grandmother-granddaughter at a beach, Drifting Boat contends on the one hand with the unceasing desire to regain ...
Writer/director/editor Gabriel De Varona’s 14:22-minute-long Love & Hunger is a spicy tale of two estranged lovers and their star-crossed journey ...
Sherice Griffiths’ 09:20-minute long Killing For A Living is a laughathon through and through. Filled with puns, slapstick humour and ...
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