Harvey Puttock’s Are We Doing This? loves a good misunderstanding. Arriving with the hopes of facilitating a promotion at work,...

Valentina Tross’ God Willing, written by Hooriah Riaz, is ambitiously and beautifully melodramatic, if somewhat constrained by its runtime. At...

Playground constructs a duality of experience for its child protagonist in her relationship with her mother: frightening chaos on the...

We are thrilled to announce the official selections for the third edition of ISMSFF. After the successful run of our...

Andy Kastelic’s The Countryman has blossomed out of the Western, owes its distinction to the genre, and leaves behind the...

In indie filmmaking, success isn't guaranteed just by using movie-grade equipment. Instead, it's about being creative with the options you...

Richard Lounello’s 28-minute sci-fi LifeQuest interweaves two narrative threads, one existing under the ambit of the other: a corporate invention...

Ela Gavrila’s 16-minute Genre INC. is a sci-fi that explores constructed, corporate mediated personal realities. Co-written by Gavrila and Gabriel...

Dealing with the disaffection of being an artist of any kind today, Julian Sibal’s Jake, the failure is a 9-minute...

In The Spirit Became Flesh, a rural community responds to its gradual disintegration by erecting a new god to worship....