Tag: Review

Tamas Levardi’s Foretoken - Omen of the Outsiders, a 22-minute Roman-era costume drama, is the origin story of its protagonist, ...

Sarab Sahni’s My Miracle Boy (writing credits shared between Caroline Gordon Elliott, Alam Virk, and Sahni) contains the sparks of ...

Harvey Kadijk’s 10-minute Lost delves into long-term love and grief through its characters Dalo and Sarah, introducing them on the ...

Dhwani Shah’s 44, a psychological horror, follows a young woman through her (mis)adventure into an unfinished skyscraper in the middle ...

Varun Chounal and Anuj Jamadagni directed Raada takes its audiences on a ride through the last day of a boy ...

At forty-nine minutes, Christopher Ortiz’s RedSin: Martyrs of Dissent is the feature developed from its 18-minute proof-of-concept RedSin (2021). An ...

David A. Flores’s 15-minute Likeness depicts a woman’s search for her missing mother using AI, combining mystery with interiorised drama ...

Patrick Riviere’s 24-minute documentary Just a Broadway Baby: Mary Ellen Ashley opens by hinging itself on the wise old lady ...

When viewing Nathan Sellers’ The Watcher it is hard to really be taken in by its serenity. On the contrary, ...

J.Brown’s Dragon Fruit runs to nearly half an hour, longer than your average short, but it makes the minutes count. ...