My Miracle Boy: Psychological Horror and Coming of Age in One
Sarab Sahni’s My Miracle Boy (writing credits shared between Caroline Gordon Elliott, Alam Virk, and Sahni) contains the sparks of ...
Tag: Review
Lost: The Pain and Pleasure of Old Love
Harvey Kadijk’s 10-minute Lost delves into long-term love and grief through its characters Dalo and Sarah, introducing them on the ...
44: Psychological Horror in a Liminal Space-Time Loop
Dhwani Shah’s 44, a psychological horror, follows a young woman through her (mis)adventure into an unfinished skyscraper in the middle ...
Raada: The Banality of Big and Small Wounds
Varun Chounal and Anuj Jamadagni directed Raada takes its audiences on a ride through the last day of a boy ...
RedSin: Martyrs of Dissent: Responses to Trauma Goes Many (and Side) Ways
At forty-nine minutes, Christopher Ortiz’s RedSin: Martyrs of Dissent is the feature developed from its 18-minute proof-of-concept RedSin (2021). An ...
Likeness: Mystery, Grief and Multiple Existential Crises
David A. Flores’s 15-minute Likeness depicts a woman’s search for her missing mother using AI, combining mystery with interiorised drama ...
Just a Broadway Baby: Vivacious Mary Ellen Ashley in Career Documentary
Patrick Riviere’s 24-minute documentary Just a Broadway Baby: Mary Ellen Ashley opens by hinging itself on the wise old lady ...
The Watcher: A Silent Wrangling with Failure
When viewing Nathan Sellers’ The Watcher it is hard to really be taken in by its serenity. On the contrary, ...
Dragon Fruit: Astute Sci-fi That Shows the Tiredness of It All
J.Brown’s Dragon Fruit runs to nearly half an hour, longer than your average short, but it makes the minutes count. ...
The Scene: Self-Referential Comedy At Its Most Non-Fictional
Connor Morley’s 6-minute comedy The Scene takes a nightmare that almost every director is painfully familiar with and turns the ...
