Curating Grief: Loss and Objects: An Intimate Display of How to Carry Lost Loved Ones Within Us
Jamie Max Lee’s deeply personal—and deeply tender because of it—32-minute documentary Curating Grief: Loss and Objects is as much about ...
Jamie Max Lee’s deeply personal—and deeply tender because of it—32-minute documentary Curating Grief: Loss and Objects is as much about ...
Demitri Zujew’s 19-minute Crease brings its audience deep into the fold with its close-ups in 1.33:1 right off the bat. ...
Peter Vazquez’s 12-minute The Tip feels fresh. Though marketed as a comedy, it is at least a dramedy because the ...
Aidan Hilmerson’s seven-minute comedy The Aristocracy makes a farce out of aristocrats by committing as much seriousness to its production ...
Whitney St. Ours’s wordless Hostess invests itself heavily in vibes and leaves the plot up to its audience—and what excellent ...
Tim Millard’s Peace Wilderness Man succinctly describes its subject(s) in its title. The 35-minute documentary represents the life of a ...
Michael Rognlie and EE Tallent’s Bad Chemistry is a 20-minute slasher-Get Out lovechild. The story of a breakup that gets ...
Harry Waldman’s Enter the Room is a psychological horror where a man’s neurotic, borderline manic dictatorship over his apartment is ...
Marcellus Cox’s Liquor Bank is a tense drama about a young ex-Marine’s relapse into alcoholism a hair’s breadth away from ...
Harrison Winter Altmann’s Curtain Call, co-written with Imogen Fennessey, is a single take comedy about a narcissist's ego taking hit ...
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